At south of Frigoris Maria, not far from the crater Cassini and at east of the large walled plain Plato, is one of the most spectacular lunar valleys: Alpine Valley, which traces a cut length of 130 km through the lunar Alps.
Archive for Moon
Near Bullialdus crater (at top-right side of the picture) there is a quite interesting region called Rimae Hippalus. Hippalus crater is the big one (left-center side of the picture). It is a big crater. In this image, shadows in this crater due to a low altitude sunlight creates a visual effect, as if a great creature had stamped his bare footprint in lunar soil. Do you see it?
Aristarchus crater (Moon) with Meade Lightbridge 16 inch:
Aristarchus is a large impact crater on the Moon, is in the northwest of the nearside of the Moon. It is considered the brightest of the large formations on the lunar surface, its albedo is nearly double that of most other geographical spots. The crater is bright enough to be visible to the naked eye and is stunning when viewed through a large telescope. It is also easy to identify when most of the lunar surface is illuminated by reflection of light on Earth.
The crater is located on the southeast edge of the Aristarchus Plateau, an area that contains several high volcanic features, such as wrinkling rimes. This area is known for it have been detected in a significant number of transient lunar phenomena of nature as well as by recent emissions gas radon to be measured by the spacecraft Lunar Prospector.
Mare Crisium is one of my favorite Moon areas. There is a lot of details inside Crisium, but it is not easy to detect, because it is very fine. High aperture telescopes are needed to spot the small impact craters inside this maria, because its typical lengths are 1 or 2 kilometers wide.
This is a set of 71 single shots of 10 seconds each one to the Auriga constellation on 2009-10-08. The Moon was located at its south and its brightness is visible on the edge of the image and on the background gradient. The single frames were recorded using a Canon Rebel XTi (EOS 450d) and a conventional EF 18mm lens. The Kids is a triangle of stars on the upper side of Auriga constellation.
Someone asked me for help recently using this comment:
“Hello, I have 16×50 binoculars and a 7.1 mega pixel camera with 4x zoom and I’ve done what you said and looked at the Moon and the images are no where near as close as yours. The image blurs once the picture is taken of the moon and doesn’t seem no where near as close to the moon as yours. Please help.”
I would like to share the answer just in case someone is also interested.
16x and 4x should mean a final 64x optical zoom. That is as much as when seeing through a telescope. If you are capturing frames at 7 MegaPixels this is to say they are around 3,000×2,500 pixels in size. When creating a video you need a final image size of 1,000×700 as much, so if you crop a frame of 3,000×2,500 into a final frame of 1,000×700, it would be equivalent to apply a 3x additional zoom to the image, because (1,000×700) * 3 is more o less equal to 3,000×2,500.
Bottom line: do a crop to your 7 Mpx image and you will get an effective 182x magnification.
Respecting the blur, don’t panic. The blur may be a product of the weather conditions, or a thermal issue in your binoculars.
Try to avoid make photos of the Moon when it is located directly over the roof of a neighbour. This is a very frequent source of blurring problems.
Try also to cool down your binoculars before the observation, trying to get a thermal equilibrium with the outdoor temperature.
Be sure that your digicam is functioning with a infinite focus mode. The focus must be achieved manually using the binocular focuser.
If you have the option of taking continuous shots, use it. The majority of the images recorded may be blurred, but sometimes you may get one more clear and sharp.
Well. I hope this helps you to get sharper images.
Color contrasts in the Moon are interesting even beautiful. The following picture shows Mare Tranquillitatis area and the southern part of Mare Serenitatis in full color. It was taken 4 days after full moon. The shadows in the terminator show the orography of the landscape. Mare Tranquillitatis seems to be mainly blue. This is due to its peculiar chemical composition.