M101 with 300mm telephoto lens

This is a crop of the resulting stacking of 36x30s + 2x360s subframes taken this month in two different sessions. The area showed corresponds to M101 and surroundings (in Ursa Major), in which we find other 2 galaxies NGC 5474 and NGC 5477. Below, I have added a DSS2 image of the are for comparison. My stars are blobs, meanwhile DSS2 are pinpoint. On the other hand, I use to lose star colours specially in the brightest ones , when postprocessing and stretching histogram. Maybe some day I will learn how to fix all these errors …

M31 – Andromeda Galaxy

I took last winter 92 shots of 30 seconds to M31 using my 300mm telephoto lens. An EQ6 equatorial mount holded the Canon EOS 450d (Rebel XTi) camera. After stacking them with DeepSkyStacker and some post-processing with PSP9, here it is the result. The imaga shows M32 and NGC 110 too.  I hope you enjoy it:

A 300mm telephoto vs a 6 inches refractor

The Tamron SP 54 is a 300mm telephoto lens, with an aperture of 54mm. I took a 60 seconds of exposition image of M42 in Orion. A few months later I took a 15 seconds image of the same field through a 6 inches Sky-Watcher non-apo refractor.

The comparison throws some interesting conclusions:

1.- A 150mm lens gives more resolution than a 54mm lens. Stars are fainter in the 6 inches refractor picture.

2.- The light captured by a 54mm lens in 60 seconds is nearly equivalent to the one captured by a 150mm lens in 15 seconds. Nebulosity appears practically equal in brightness in the two pictures. The lower image is a full frame, meanwhile the upper one is cropped at 25%.

Both images were taken using an unmodded Canon DSLR camera, EOS 450D (or Rebel XTi) and an EQ6 equatorial mount.

M31 from above

Here we see Andromeda galaxy as viewed from above. The spiral arms and structure becomes visible clearly in this processed image with a distortion nearly equivalent to a change of the observer location from our galaxy to a point in the void intergalactic space just above M31.

The original image from which this perspective has been obtained was a 4 minutes exposure with a 300mm telephoto lens and a DSLR Canon EOS 450d (Rebel XTi) camera.

Polaris A & Polaris B

Polaris has a close neighbor at 18 arcseconds that can be spotted easily through a telescope.

This is a 15 seconds exposure through a Meade Lightbridge 16-inch, a Dobson with no tracking, but fortunately Polaris moves very slowly through its small circumpolar path, due to its proximity to north pole in the sky. The camera used was a Canon EOS 450d, also known as Rebel XTi. The method employed was an eyepiece projection using a 14mm Meade Series 5000.

Auriga and Moonlight

This is a set of 71 single shots of 10 seconds each one to the Auriga constellation on 2009-10-08. The Moon was located at its south and its brightness is visible on the edge of the image and on the background gradient. The single frames were recorded using a Canon Rebel XTi (EOS 450d) and a conventional EF 18mm lens. The Kids is a triangle of stars on the upper side of Auriga constellation.

Tamron EOS Adaptor

In order to attach Tamron SP 54B 300mm telephoto lens to DSLR camera Canon EOS 450d (Rebel XTi) I used an adaptor found at ebay (Looking for “Tamron Adaptall 2 Lens To Canon EOS EF Mount Adaptor”). It works properly and it is very accurate when focusing to infinite. Pixco is the brand adaptor.

Tamron 300mm lens on Canon EOS

Tamron SP-54B 300mm is a telephoto lens built 30 years ago, oriented to analog reflex camera market. Thanks to a special adapter for Canon EOS DSLR camera, I could attach them each other and take some shots. The field of view and the magnification are very different to a conventional lens, like Canon EF-S 18-55mm.

Here it is a comparison image:

Mare Tranquillitatis in color

Color contrasts in the Moon are interesting even beautiful. The following picture shows Mare Tranquillitatis area and the southern part of Mare Serenitatis in full color. It was taken 4 days after full moon. The shadows in the terminator show the orography of the landscape. Mare Tranquillitatis seems to be mainly blue. This is due to its peculiar chemical composition.

Pitiscus

Pitiscus, Hommel, Ideler and Spallanzani are the only four craters of the picture with proper name. The rest of them are named by letter surnames like Ideler R or Ideler L. They are located in the South-East area of the Moon. The picture was taken on 2009-09-09 05h 20m U.T. and the terminator was passing across Pitiscus, Hommel, the two big and shadowed craters. Pitiscus is 85 km wide and Hommel is 129 km (76 miles). The smallest craters of the image are 7 km wide, that is 3.5 arcseconds, 1.75 arcseconds for the bright spot and 1.75 arcseconds for the shadow spot. Image detail could then be better for a 6-inch telescope (this is the equipment used to take the image, an scope capable up to 0.7 arcseconds of resolution). 622 subframes were recorded with the Manual-Crazy-Tracking system and stacked in Registax 5.

Posidonius

Posidonius is a big crater of the Moon on Mare Serenitatis. There is a lot of interesting details to observe inside: peaks, ridges, craterlets, … In the following image taken yesterday night, 4 km wide craters can be spot as small white points in the smooth surface of Mare Serenitatis.

Posidonius measures 95 km in diameter. The second biggest crater (a bit ghostly) in the picture is Chacornac, just below Posidonius. Inside it is visible a small craterlet called Chacornac A (it measures 5 km in diameter).

The third biggest crater of the picture is Daniell (31 km wide) located in the upper middle side. Its shape is not circular, but oval. This is the cause of a strange effect in perspective when comparing it with the craters nearby.

PosidoniusPosidonius is a lunar impact crater that is located on the western edge of Mare Serenitatis

Big Jupo

I have a good seeing last night. So I got my best Jupiter yet. Here it is:

It is 4x resampled via Registax Mitchell and PS. After resampled I can spot more details in bands and polar zones.

As always I used the 6-inch no-EQ mounted newtonian reflector, the 14mm eyepiece doing afocal projection over the Canon EOS 450d (Rebel XTi) body and recording video using “EOS Camera Movie Record” free software. Three times Jupiter crossed over the field of view. Registax and VirtualDub added and stacked the footage properly.

Ganymede’s shadow

Yesterday night I had the chance to enjoy a multiple moon transition in Jupiter. Ganymede and Europa were crossing Jupiter and throwing their shadows to the big planet. Here it is an image of the event. At 23h 24m U.T Europa’s shadow was not visible yet. Io also appears at the photo but it was beneath the planet. In a minutes it would disappear.

The picture was taken with my digital reflex body (EOS Rebel XTi) and using the video capture software that converts it into a high quality webcam.

Jupiter Opposition

15th August 2009 was the day that Jupiter reached its closest position to Earth. Its apparent diameter was 49 arcseconds, so this is the best time to do planetary astrophotography with the giant planet. Using the afocal technique and a Canon EOS 450d body I took 2 video sequences and processed with Registax 5, Photoshop & Pain Shop Pro.

Wesley impact scar

Several days ago a comet hit Jupiter leaving a dark spot near one of its polar regions. Today this spot is still visible with a powerful telescope. Maybe if I have a high power Barlow lens I could have observed it visually. But fortunately there exist astrophotography, a technique that lets you observer indirectly what you can’t spot directly through a telescope.

In this same picture I include a Jupiter from the day before yesterday. The lack of atmospheric turbulence gave me a chance to get closer to the maximum theoretical resolution of a 6-inch telescope.

Mare Crisium & Tranquillitatis

Two days after full moon Mare Crisium shows a nice landscape of mountains and shadows. Some of its inner crates are visible in this picture. The small crater Swift is on the limit of visibility. The big impact called Proclus and its rays are remarkable.

To take this image I used the Canon EOS 450d, Rebel XTI DSLR camera recording video subframes and later I stacked them up with Registax 5. Some small tweaks on Paint Shop Pro 9 and ready.

Jupiter with Exilim, 450d & Webcam

Here I have integrated my best images of Jupiter taken with 3 different cameras:

* Casio Exilim EX-FS10

* Canon EOS 450D (Rebel XTi)

* Webcam Philips ToUcam Pro